September 29, 2011

Vietti 2006 Barolo Castiglione



Well wine-lovers, we have arrived at the last leg of our journey through my four most beloved grape varieties.  Oddly, I have found telling you why I love these grapes a bit like telling someone why I love my kids more than someone else's.  It's one of those things you can't quite put your finger on...but I do because they are a part of me, I understand them, and I simply love everything about them.  To me they are perfect.  So it is with the three grapes we have explored so far, and so it is with our last grape - Nebbiolo.  It is a grape that just suits me in every way.  Just as my whites, Riesling and Chenin Blanc resemble each other in character yet each have their individuality, Nebbiolo has much in common with my other red, Pinot Noir.  Both grapes are rather finicky and extremely sensitive to soil and climate, both budding early and thus susceptible to spring frosts.  Like Pinot Noir, Nebbiolo can display some of the most haunting, complex, tantalizing perfumes, displaying a range of aromas from roses and violets, to forest floor, tea leaf to wood smoke, truffles to tar, incense, and the list goes on.  At it's best, Nebbiolo, like Pinot noir, also develops powerful yet sophisticated tannins and good acidity, giving it the ability to age long and gracefully, and making it one of the most perfect food wines.  

The wine we will be tasting today is from Barolo, Nebbiolo's traditional and most celebrated home in Italy's Piemonte.  It comes from Vietti, one of Piemonte's largest, oldest and most traditional producers.  This is a Barolo that leans toward a more delicate traditional style, being aged in large casks rather than new oak barrels.  Luca Currado, who runs the family owned estate today,  considers himself first and foremost a farmer, and is very particular about how his grapes are grown in order to produce the most characterful expression of terrior.  As part of this emphasis on the vineyard Currado eschews the use of chemicals, and has begun a move toward organic and biodynamic methods.  Join me now as I taste what I hope will be a beautiful wine from the last of my four favorite varieties - Nebbiolo.  




September 28, 2011

Chateau Pontet-Canet - Pioneering Biodynamics in Bordeaux



Biodynamic wine from a top Bordeaux Grand Cru Classe Chateau...is it possible?  Not a common phenomenon among the large estates of Bordeaux, but one whose coming, given the proliferation and success of biodynamics in other regions of France and around the world, was inevitable.  Chateau Pontet-Canet has boldly, if quietly, taken the lead in biodynamic viticulture in Bordeaux, a smart move in my estimation.  There is little doubt in my mind that the current generation of wine-drinkers will continue to gravitate towards both the terroir-driven style and chemical-free, eco-friendly ideology of natural wines, and producers who fail to get on board with these trends may find themselves with some serious catching up to do.

Pontet-Canet has quite an interesting recent history, having been somewhat relegated to the margins of classified growth Bordeaux in the early seventies due to lackluster quality, and a scandal involving the blending of inexpensive Rioja with the estate's wines.  In 1975, following the conviction of then owner Henri Cruse in the blending scandal,  Cognac merchant Guy Tesseron purchased the estate.  Tesseron's son Alfred soon began to make his mark in the vineyard, introducing quality-enhancing practices such as green harvesting and sorting, and eventually giving up the use of chemical herbicides and pesticides.  In 1993 Alfred Tesseron took over management of the estate and under his guidance quality has improved steadily since then.

In 2004 Tesseron made the bold decision to entrust the direction of the estate to his technical director Jean-Michel Comme, based largely on the success Comme had achieved with biodynamic practices in his own estate, Champs des Trailles.  Under Comme's direction Pontet-Canet began the conversion to biodynamics in 2004, and since 2010 Pontet-Canet has been fully biodynamically certified.  Tesseron does not pretentiously advertise the estate's biodynamic certification, preferring to let the quality of his wines do the talking.   But his genuine motivation in treating the soil and vines with respect is evidenced by such retro-revolutionary practices as shifting to the use of horses for cultivation of the 200 acre estate.  The idea is that horses allow cultivation of the soil without the compacting force exerted by tractors, thus allowing the roots to do their work better.

Uncompromising respect for the fruit and attention to quality continues in the harvesting process, where grapes go directly from the vines to sorting tables via small crates, keeping grapes unbruised and uncrushed.  Respect at harvest time is further afforded the harvest workers who are paid a fair salary rather than the customary piece rates.  As the fruit continues its journey to vinification, sorting is extremely careful and labor intensive, employing 30 workers, to ensure only the ripest, healthiest grapes make it to the fermenting vats.
The grapes are then moved to Pontet-Canet's state-of-the-art oak and cement vat rooms by gravity, without pumping, and only natural yeasts are used in the slow fermentation process to facilitate a long and gentle extraction of tannins.  After about four weeks of maceration, the wine is run off directly into barrels and aged for sixteen to twenty months.  About 60% of barrels are new.  The estate also produces a second wine, Hauts de Pontet-Canet.

So, has Pontet-Canet's Pioneering move to biodynamics paid off when it comes to quality?  To answer that question let's look at prominent wine publications' scores for the past two vintages:

2010 - 100 Wine Advocate, 99 Wine Spectator, 98 Wine Enthusiast
2009 - 100 Wine Advocate, 100 Wine Enthusiast, 98 Wine Spectator

These are scores that look a lot like ones usually associated with first and second growth estates, so not too shabby for a fifth growth estate that was resurrected from mediocrity in the not too distant past.  Chateau Pontet-Canet's success with biodynamics is just another piece of evidence for me that practices which focus first and foremost on respect for nature, for the terroir, and for the vines, are the wave of the future, and not a passing fad.  If it is starting to happen in the venerable estates of Bordeaux, it will undoubtedly continue to happen there and wherever else great wine is made.

Paul Dolan on Biodynamics Part 10



In this final installment Paul Dolan talks about the importance of Authenticity in wine-making.

September 27, 2011

Quiz & Quote #8

Wine taken in moderation never does any harm.
                                                              - Cervantes

Winetrip through Spain




  1. Which of the following is not a synonym for Tepranillo?
  2. Tinto Madrid Tinta de Toro Tinta Barroca Tinto de la Rioja
  3. The cool white wine growing region to the north of Portugal's Vinho Verde is:
  4. Txakolina Rueda Rias Baixas Tarragona
  5. The distinctively aromatic white variety of Rueda is:
  6. Albarino Verdejo Macabeo Viura
  7. Name the pale dry style of Sherry produced in Sanlucar de Barrameda
  8. Fino Oloroso Amontillado Manzanilla
  9. The steeply terraced region known for intense, high quality red wines made from Garnacha is:
  10. Priorat Ribera del Duero Pendes Jumilla

September 22, 2011

Domaine Huet 2009 Vouvray Clos du Bourg


Chenin or Chenin Blanc, as it is often referred to, is a wonderfully versatile grape, capable of producing superb sweet wines, hauntingly perfumed dry wines, as well as excellent sparkling wines.  Much like Riesling, Chenin also has an uncanny ability to age long and gracefully.   Unfortunately, in the new world, it has been the source of a great deal of rather underwhelming and even bad mass-produced table wine made from high-yield fruit grown in unsuitably warm areas.  Luckily today quality Chenin Blanc is seeing a resurgence, as producers in places like South Africa and California are re-discovering what wonderful wines can result when grapes are grown in appropriately cool climates and yields are kept low.  

Today I will be tasting a wine made from this wonderful grape, the third of my four favorite varieties showcased in this four part series "These are a Few of my Favorite Grapes."  For this week's video review we will travel to one of my favorite wine regions, the Loire Valley where Chenin traditionally finds it's most celebrated expression.  I am excited to share my impressions of this wine from Domaine Huet, an excellent Biodynamic producer form Vouvray in the central Loire Valley.    Sit back, relax, and enjoy today's episode...then go out, find a nice bottle of Chenin and discover for yourself why it is one of my favorite grapes.

September 21, 2011

Nicolas Joly

The man


If there is one icon, one oracle, one representative figure in biodynamic wine production it is Nicolas Joly.  After all, this man wrote the book on biodynamic wine...no, literally...in fact he has written two essential treatises on biodynamics: Wine From Sky to Earth, aimed mainly at wine growers, and Biodynamic Wine Demystified, which strives to make the concepts of Biodynamics more understandable to the lay wine-lover.  Both can be found in the Literary Elucidation section of this blog.

Nicolas Joly is an ardent, some would say almost fanatical follower of Rudolf Steiner's Biodynamic Principles.  It is not hard to understand what drives his passion for this nature-intensive system, when one understands his objective.  Joly, first and foremost, wants to create wine that is truly expressive of its Terroir.  One almost gets a sense that he would rather create a slightly imperfect wine with exceptional character that has been produced naturally, than a "perfect" wine that has been tortured into submission in the cellar through over-manipulation.  In his own words: "I don't want a good wine, but also a true wine."

Here a bit of history.  Joly came to the wine-world from a banking background, having studied finance at Columbia University, and subsequently worked as an investment banker in New York.  In 1977 he left banking to take over operations at his family wine estate in the Loire Valley.  From the beginning, Joly was sensitive to what he saw as failings in the French AOC classification system.  In his view, the scheme created in the 1930's to preserve wines that express precise locations and vintages by way of legal guarantee, was no longer fulfilling its intended goal.  In Joly's view the destruction of the AOC system began with the proliferation of herbicides and subsequently other chemicals in the vineyard, which robbed grapes of their ability to show the unique characteristics of their environment.  To compensate for this loss of terroir, wine cellars were transformed into factories where inferior grapes were to be endowed with interesting characteristics through artificial methods such as the use of "designer" aromatic yeasts.  When Joly read Rudolf Steiner's works on Biodynamic farming, he was convinced that applied to the vineyard, this was the road back to creating "real wine," thereby restoring the intent of the AOC system.   Since 1984 Joly has been doing his part to facilitate this restoration by using 100% biodynamic methods in his vineyards.

The Vineyards and Wines


Joly's estate Chateau de la Roche aux Moines has a long and storied history.  Located in the Savennieres region of the Loire Valley, the vineyards were planted in the 12th century by Cistercian monks and have been under continuous cultivation ever since, making 2011 the 881st consecutive vintage.  Quite the heritage!

Today Nicolas Joly, along with his daughter Virginie, oversees production of three wines from these estates.  All, of course, white and from the Chenin Blanc grape.

The first of these is the flagship Coulee-de-Serrant, which shares the extremely rare distinction, along with the vaunted Romanee-Conti of Burgundy, and Chateau Grillet in the Northern Rhone, of being a single vineyard AOC.  The 30-45 year old vines cover only 7 hectares on steep south/south-east facing slopes, yielding only 20-25 hectoliters per hectare.  Harvest is carried out in 5 passes over 3-4 weeks, in order to insure that grapes are at their absolute peak of ripeness, Joly believing that only at that point can grapes produce wine with powerful terroir expression.  The wine is wood-aged with no more than 5% new oak being employed.  Total production is about 20,000 bottles per year.

The second wine, Clos de la Bergerie, is the produce of the larger Savennieres Roche aux Moines AOC.
A bit younger, the average age of these vines is 25 years, grown on east-facing slopes, with yields at 25-30 hectoliters per hectare.   Again, only wood aging, with less than 5% new oak is used.  Production is about 10.000 bottles.

Vieux Clos is the third wine, produced under the more general AOC Savennieres.  Yield are a bit higher at 30-35 hl/h, and both wood and tank aging is used.  About 15,000 bottles are produced per year.

One concept Joly is very particular about in his vineyards, is diversity.  All of his vines are propagated using the Massale method, where cuttings are carefully selected from the best and oldest vines, rather than the more common modern use of clones.  This, Joly feels, produces a diversity in the vines that ensures real aromatic complexity without having to resort to artificial means in the wine-making process.  To the same end he also believes in encouraging the formation of botrytis as an essential element.  In keeping with Joly's careful nurturing of the vineyard, work in the vineyards is carried on only by hand and horse.

In the cellar, Joly believes first and foremost in simple wine-making.  In fact, he really sees himself less as a wine maker, than as he calls it, a "nature assistant."  He sees the cellar not as a laboratory, but as a "womb" where the midwife simply listens and waits to see what happens, employing only few and measured actions.  Some of these actions include stirring of the lees, racking, and so forth, but never artificial manipulations such as adding commercial yeasts or micro-oxygenation.  In this way wine will be what it should be; a reflection of the "information" taken from the earth through careful nurturing in the vineyard, and therefore a sincere expression of terroir.

If you are lucky enough to get your hands on any of these  bottles of superlative Savennieres expression, you may also want to heed Nicolas Joly's advice on the optimal and most natural way to drink his wines.  Believing that oxygen enhances and brings out the full character of biodynamic wines, he recommends decanting.  He is also of the school of thought, as am I, that good white wines are usually drunk far too chilled to capture their most interesting aromas.  He recommends drinking at around 57 degrees F.

September 20, 2011

Quiz & Quote #7

"Good wine is a necessity of life for me"
-Thomas Jefferson

Quiz #7 In the Vineyard

  1. Which of the following is not a fungal disease of grapevines?
  2. Oidium Pierce's disease Perenospera gray rot
  3. A system where vines are trained up a tall support and spread horizontally is known as:
  4. Guyot Pergola Cordon Head Training
  5. Name of the Australian enologist who revolutionized vineyard canopy management
  6. David Wenham James Halliday Richard Smart Randall Graham
  7. What practice founded by Rudolf Steiner recognizes the universe as an ecosystem?
  8. Organic Viticulture Sustainable Viticulture Integrated Pest Management Biodynamic Viticulture
  9. A varieation within a single grape variety due to spontaneous mutation is known as:
  10. Hybrid Cross Clone Variety

Paul Dolan on Biodynamics Part 9



Paul Dolan on Biodynamic Certification

September 19, 2011

Paul Dolan on Biodynamics Part 8


Paul Dolan on the importance of Cosmic Rhythms and the Biodynamic Calendar

September 16, 2011

Quiz & Quote #6

"In Europe we thought of wine as something as healthy and normal as food and also a great giver of happiness and well being and delight. Drinking wine was not a snobbism nor a sign of sophistication nor a cult; it was as natural as eating and to me as necessary."
- Ernest Hemingway

Quiz #6 - German Wine Lingo


  1. "Naturwein" refers to:
  2. Organically produced wine Wine made with only idigenous yeasts Historically an unchaptalized wine Wine that is unfined and unfiltered
  3. The highest VDP quality designation, similar to Grand Cru of Burgundy is:
  4. Grosses Gewachs Pradikatswein Auslese Qualitatswein
  5. Sussreserve refers to:
  6. The highest quality designation for sweet wines A sweet style of Sekt Addition of unfermented grape juice Off-dry Mosel Riesling aged at least 3 years
  7. The QmP wine category with the lowest must weight is:
  8. Spatlese Auslese Tafelwein Kabinett
  9. Which of the following is one of Germany's 5 most planted wine grape varieties?
  10. Lemberger Dornfelder Traminer Weissburgunder

Paul Dolan on Biodynamics Part 7



Here Paul Dolan talks about the use of biodynamic preparations in the vineyard

September 15, 2011

Cooper Mountain 2008 Reserve Pinot Noir


Pinot Noir; the second in our serives "These Are a Few of my Favorite Grapes."  What makes Pinot Noir one of my four favorite grape varieties?  I wish there were a simple way to explain, but I guess much of it's beauty lies in it's mystical inexplicability.  To me there is just no other grape that can produce such hauntingly developed bouquets, at the same time showing incredibly pure and delicate expressions of fruit.  When well crafted, Pinot Noirs can truly be wines of contemplation and incredible depth.  The potential range of aromas is stunning running from forest floor, to roses and violets, to tea, to tobacco, and the list goes on and on.  

To be sure, like most great characterful grape varieties, Pinot Noir is prone to being sadly abused by the unskilled and careless winemaker.  It is a delicate and unforgiving grape that demands great skill and patience in both vineyard and cellar.  But when nurtured and handled with care, it can produce a truly magical and transporting elixir.  

Meanings, Motives and the Moratorium

As anyone who watches my weekly video wine reviews on this blog will know, in one of the early episodes I instituted a limit on alcohol content in the wines I review.  I did not fully explain my reasons for this moratorium at the time, as I felt that an adequate explanation required more detail than was feasible in a 10-15 minute video segment.  So now I would like to offer a clearer insight into my reasoning.

There are basically three reasons I instituted the moratorium on wines above 13.5%  ABV,  all informed first and foremost by an innate aversion I have always had for high alcohol wines.   I have already addressed one of these reasons in one of my recent video reviews.  It is simply that I feel all too often alcohol above a certain percentage tends to overpower some of the more delicate, interesting, and complex aromas that make wine such a uniquely wonderful beverage.  When I taste wine I want it to taste like wine, not a cocktail or fruit liqueur.  Granted, there is certainly the rare wine that balances higher alcohol levels with well integrated aroma characteristics, but for me, that is more the exception than the rule.

My second reason is principally a stylistic one.  Here there is certainly plenty of room for disagreement, which I wholeheartedly welcome.  I am just not a big fan of big wines.  What I mean by that is wines that hit you over the head with their over-extracted density and concentrated sweetness.  I find that a lighter style of wine generally shows more interesting nuances and complexity of terroir.  Not only do I find this style of wine more interesting, but a more suitable accompaniment to food.  This preference is no doubt a large reason for my fondness of and  interest in promoting naturally produced wines.

My third reason goes more towards what I believe wine has traditionally been and should continue to be.  Wine has throughout history been a central part of many a civilization's diet, and an indispensable accompaniment to food.  Until recent history wine has been a vital cultural ingredient in the daily routine in many European countries with a long wine history.  Wine's central role in daily life in France, Italy, and Spain has only recently met with resistance, no doubt in part to far higher alcohol levels in most of today's wines.  It is only over the past three decades that wines have tended towards higher and higher alcohol levels, which naturally makes even reasonably moderate daily wine consumption less realistic.  I tend toward the now somewhat antiquated view of wine as a healthful, life-enhancing elixir which should be part of a daily routine, and should be made in such a way that it can be enjoyed routinely without trepidation.  This, of course, means that its alcohol level needs to be such that one can still function normally after consuming a reasonable volume, say two to three glasses with a meal.

I was pleasantly surprised and interested to find a recent article by Bartholomew Broadbent on Jancis Robinson's Purple Pages dealing with this last point.  In it he shares my view of the role of wine in our daily lives.  Broadbent discusses an interesting set of experiments carried out by retired physician Dr. Rusty Gaffney MD, in which he found that consuming equal amounts of wine (two 5oz glasses) with an alcohol level anywhere between 12.0% and about 13.5%  ABV metabolizes in such a way that after one hour his blood alcohol level was at .07, no matter what the wine's alcohol percentage.  However, as alcohol percentages increase much above 13.5%, blood alcohol levels after one hour race upwards quite rapidly to .10% in wine with 15% alcohol.  I won't reproduce the more specific numbers here.  For this I would refer you to the August 18th article.  What is important here is that Gaffney was able to conclude that 'there is a noticeable increase in blood alcohol level when imbibing wine at or above 15% alcohol, with legal intoxication occurring within one hour after two drinks.'  This shows that within a certain, more traditional range of alcohol content, the human body is able to metabolize wine efficiently, but not so at levels that are much more commonly seen in many of today's wines.  I found this experiment interesting as it seems to confirm my personal observation that my body feels quite in tune and healthy when consuming wine at less than about 13.5% ABV, whereas higher levels tend to have a lasting debilitating effect, even in smaller quantities.

I see my role in the world of wine ('Winedom' as I like to refer to it) as a promoter of naturally produced, wholesome, healthful, close-to-the-land wines that express their place of origin's unique characteristics.  I see these as wines that are closer to the way nature intended them to be, without artificial adornments, unhealthful additives, or unnecessary manipulation.  I find it only fitting that the wines I enjoy and recommend should therefore also be attuned to the body's ability to metabolize them efficiently and not detract from a healthy lifestyle.

Hopefully I have here been able to express the motives behind my self-imposed alcohol moratorium adequately.  I have, of course, left room for lifting the moratorium in certain cases, including fortified and certain types of dessert wines traditionally higher in alcohol, and which are generally drunk in much smaller volume.  I also hope that my intentions are not misconstrued to mean that I believe that higher alcohol wines cannot be excellent.  Much of these musings are simply an expression of my personal preferences and a declaration of my view of the role of wine in our daily lives.

So with that, go forth, and continue to explore and savor the exciting, wonderful world of wine.  And don't forget to keep it natural, and keep it interesting!

September 13, 2011

Quiz & Quote #5

"Wine is the most healthful and most hygienic of beverages"                  
                                                                                    - Louis Pasteur




Quiz #5 - In the Cellar




  1. Debourbage refers to
  2. addition of acid to the must eliminating spoilage by the addition of sulfur addition of sugar to the must to boost alcohol the process of settling solids out of the must
  3. Beaujolais production employs which fermentation method to enhance simple fruity aromas
  4. Cold Soaking Carbonic maceration Malo-lactic fermentation Whole-berry fermentation
  5. A winery can build local yest populations by
  6. Avoiding the use of wooden barrels Sterilizing all equipment used in the winery Frequent application of Bordeaux-mixture Plowing pomace back into the vineyard after the crush
  7. Champagne styles arranged from driest to sweetest are:
  8. Extra Brut, Brut, Extra Sec, Sec, Demi-Sec Brut, Demi-Sec, Sec, Extra Dry, Doux Brut, Extra Brut, Demi-Sec, Extra Sec, Sec Extra Dry, Sec, Demi-Sec, Brut, Doux
  9. Malo-lactic fermenation is employed in the production of
  10. Red wine only White wine only Red and white wine Sparkling wine only

Paul Dolan on Biodynamics Part 5


Paul Dolan talks about the 5th Element of Biodynamics in his Vineyard - Natural Farming

September 12, 2011

Paul Dolan on Biodynamics Part 4 & 6


Learn about the importance of biological diversity in the vineyard from winemaker Paul Dolan.

September 09, 2011

Rosso di Montalcino Afterthoughts

As pretty much anyone who follows the wine world in any detail knows by now, an important decision was reached two days ago by the Consorzio del Vino Brunello di Montalcino.  In a vote of landslide proportions the body decided to keep international grape varieties out of Rosso di Montalcino, thereby preserving the traditional purity of this wine.  Many proponents of quality and stylistic purity in wine considered this an epic victory and breathed a huge collective sigh of relief.

In my post on the subject last week I briefly laid out my thought process that made it very difficult for me to come down on one side or the other on this issue.  In the end I decided to add my voice to those who opposed the changes.  I can now say that I am satisfied with the results of the vote, as I believe the decision offers the better chance of furthering a move back from international homogeneity towards quality, individuality and diversity in wine.

The question I would ask now is:  Can supporters of wine diversity rest on their laurels now that the vote has been taken?  My answer is an emphatic no!  Official wine categorizations, particularly as they are structured in Italy, are limited in their ability to preserve tradition and diversity.  After all, wine producers will continue to seek maximum profits by satisfying perceived consumer tastes.  No law is going to compel producers to continue producing Rosso di Montalcino if they believe wines made form 100% Sangiovese don't appeal to the modern palate.  Clearly throughout recent history, despite all efforts to regulate tradition into Italian wines, winemakers gave in more and more to satisfying a perceived clamor for wines that are over-extracted, high in alcohol, over-oaked, dense, and low in acidity.  This has caused even the great traditional DOCG wines of Piemonte and Tuscany to become less and less characteristically distinguishable from each other and, for that matter, good wine produced anywhere else in the word.

As notable Italian wine authority Nicolas Belfarge MW points out in a recent Decanter.com article, much of this move towards internationalization of wine tastes has been less a product of real consumer desire, than a perceived need among producers to please a certain influential group of wine pundits who have invariably awarded the highest points to dense, deep-colored, oaky wines.  Thankfully, as Belfarge points out, the pendulum may now be slowly swinging back in the other direction, as consumers are becoming more accepting of wines of a lighter color, higher acidity, and greater varietal character.  In Italy we are now seeing a slow return to more traditional styles of wine-making as producers are, for example, backing away from aging their wines in new oak barriques and returning to the traditional large Slavonian oak casks.

I personally believe that much of the new interest in wine diversity among consumers is due to the greater availability of information through the internet, social media, and a new generation of plain-speaking wine writers and critics who recognize that consumers have a wide range of tastes, and are interested in exploring the new (to them) and interesting.  I firmly believe that tradition-saving decisions such as the one last week in Tuscany will only be valuable if producers perceive a market for traditionally produced wines.  That perception cannot come from regulation, but only from continued availability of information and consumer education.  It is largely up to wine writers, educators, sommeliers and merchants to foster diversity; to show consumers what a great, big, beautiful world of wine there is out there to explore.  I am convinced that if the current and future generation of wine drinkers are encouraged to expand their palates, producers will not only continue to make traditional wines like Rosso di Montalcino, but will do whatever it takes to achieve in them the highest levels of quality.


Paul Dolan on Biodynamics Part 3

Quiz #4 - Vino Italiano



  1. Which famous red, dry dried grape wine is produced in the Veneto region?
  2. Vin Santo Picolit Amarone Sagrantino Passito
  3. Taurasi is a high quality red wine produced in
  4. Puglia Campania Basilicata Calabria
  5. Which of these is not a principal red grape variety of Piemonte?
  6. Dolcetto Barbera Nebbiolo Barolo
  7. Which grape variety is a classic red grape of Sicily?
  8. Nero D'Davola Primitivo Negro Amaro Gaglioppo
  9. Which Tuscan DOC does not require Sangiovese as a principal grape for it's red wines
  10. Chianti Classico Vino Nobile di Montepulciano Bolgheri Brunello di Montalcino
  11. Brachetto d'Acqui is
  12. A dry acidic white wine from Piemonte A light, low-alcohol red wine from Molise A sweet sparkling red wine A sweet white wine from Friuli
  13. Chianti was traditionally sold in straw-basketed bottles called
  14. Botti Bottiglie Cesti Fiaschi
  15. Which Italian wine category is roughly equivalent to French Vin de Pays?
  16. Vino da Tavola IGT DOC DOCG
  17. A distinctive dry white wine produced near Siena in Tuscany is
  18. Vernaccia di San Gimignano Verdicchio Verduzzo Vermentino
  19. The white wines of Gavi are produced in Piemonte form which grape variety?
  20. Moscato Arneis Cortese Favorita

September 08, 2011

St. Urbans-Hof 2010 Bockstein Ockfen Riesling Kabinett


THESE ARE A FEW OF MY FAVORITE GRAPES PART 1 - RIESLING

Ahhh, Riesling!  Today we are setting out on a four episode tasting journey which will take 
us through my four favorite grape varieties.  It is only appropriate we should start with that 
most wonderfully elegant, captivating, adaptable grape.  Why, you ask?  A lovely Alsace 
Riesling was the first glass of wine I dipped my nose into that awoke me
to a realization that wine can be a truly otherworldly beverage.  It was en epiphany of sorts 
that opened my eyes to what still excites me about great wine.  Its undescribably ethereal  
and unique character entranced me then and continues to inform my standard of the ideal in white 
wine.  

I love the fact that I can open a good bottle of Riesling from Alsace, Germany, Austria, 
New Zealand, Australia, Washington State, California, New York, and now even South America, get 
wonderfully varied styles, flavor profiles, and unmatched expressions of terroir, but still be taken away 
by that unmistakable Rieslingness.  I love that at its best Riesling can be bone dry, off-dry, very sweet, sparkling, lithe or powerful, and do any and all of it with aplomb and refinement.  

Today I have chosen a wine from the Mosel region, Riesling's historical German home on the Rhein river 
and it's tributaries.  Wines here tend to be low in alcohol, quite acidic, delicate, tending towards sweet, 
and often remarkably age-worthy.  Many of today's producers in this region are extremely committed to 
traditional, natural, and environmentally sustainable vineyard and wine-making practices, convinced that
only these methods will produce wines truly expressive of their terroir.  
St. Urbans-Hof is one of these quality conscious producers, and I am excited to taste one of their
Rieslings and to have you along for the ride.  

As we explore my favorite varietals over the next four weeks, I would also love to know what your
favorite grape varieties are and why you love them.  So, feel free to fill up that comment box with your thoughts and experiences!


September 07, 2011

Paul Dolan on Biodynamics Part 2



Paul Dolan explains how Biodynamic farming is a Holistic System

September 06, 2011

Quiz #3 - Bordeaux



  1. Which of these appellations is not in Bordeaux?
  2. St-Estephe St-Julien St-Emilion St-Joseph
  3. Which First Growth Chateau is not in the Medoc?
  4. Ch. Margaux Ch. Haut-Brion Ch. Lafite-Rothschild Ch. Latour
  5. Which grape is not allowed in red Bordeaux?
  6. Petit Verdot Malbec Negrette Carmenere
  7. Chateau Petrus is located in which appellation?
  8. Puillac Fronsac Pomerol St-Emilion
  9. The most expensive bottle of wine sold to date was an 1811
  10. Chateau D'Yquem Chateau Lafite Chateau Cheval Blanc Chateau Latour

Paul Dolan on Biodynamics Part 1


This is the first in a series of short videos by Paul Dolan of Mendocino Wine Co. that I will be posting over 10 days outlining the basic elements of biodynamics.  If you are wondering how Biodynamic principles work in the vineyard, this is a nice, concise primer.  

September 02, 2011

My take on the Rosso di Montalcino controversy

Over the past few days I have undergone a long and arduous mental journey deliberating which side of the
controversy over the proposed changes to the Rosso di Montalcino DOCG I come down on.  May I say that for me, this decision was not nearly as clear-cut and obvious as it has been for many writers and experts who share my passion for wines that express place and tradition.

As I deliberated about this issue I focused to a large extent on the purpose to the creation of the Rosso di Montalcino DOCG, which was to allow Brunello producers to use new and surplus plantings of Sangiovese to produce wines that could be sold more easily on the market without the stringent aging requirements of Brunello, thereby ensuring cash-flow, while protecting the integrity and quality of the loftier Brunello di Montalcino wines. I thought about whether the proposed changes, which would split Rosso di Montalcino into three separate DOCGs, one of which would allow up to 15% blending of "international" grape varieties, would be in keeping with this original intention.  My first thoughts were that the changes certainly had the potential to make it easier for producers to increase the appeal of Rosso di Montalcino for an international wine market as blending would provide an easy avenue to boost quality and consistency of a wine made from the often difficult Sangiovese grape.  A more consistent and marketable "second" wine would then potentially assure the continued quality of Brunello.  This would seem to be in keeping with the original intent of the Rosso DOCG category.

I also thought about the changes from the perspective of benefit to the consumer, particularly from the standpoint of available diversity and choice.  What would the possible consequences of the change be for the consumer?  Certainly the more discerning consumers would still have access to the vaunted Brunello di Montalcino, which of course would continue to be produced from 100% santiovese.  They would also be able to choose either Rosso di Montalcino Sangiovese, or Santiovese Superiore, which would still require 100% Sangiovese content.  So, choice and diversity would certainly not be diminished.

As anyone who knows my wine leanings would know, I am generally very interested in wines that express a sense of place, which often translates to tradition.  This certainly figured into my ruminations, although, where Italian appellation designations are concerned tradition isn't always the quality holy grail some think it should be - think Chianti pre-70's.  However, here is where my thinking always brought back an uneasy, tight feeling in my stomach about the proposed regulations.  Is there a possibility that adding "international" varieties such as Cabernet Sauvignon or Merlot, which by the way, there are liberal allowances for under other designations, is the easy way out?  Would there be a way to strengthen quality and sales of Rosso without sacrificing varietal integrity or potentially starting this unique area of Tuscany down the slippery slope of world wine homogeneity?  I grappled with these questions over the past few days, until I had that inexplicable moment of clarity which often informs our most arduous decisions.  In other words, I finally succumbed to going with my gut feeling over an issue that cold logic simply refused to rule.  This moment came when I read an open letter addressed to the consortium considering the changes by a major area wine producer.  I will attach this letter, originally posted on www.vinissima.net below.  Quite honestly, only yesterday I was still leaning towards being in favor of the proposed changes, but at least for the time being, I am now leaning in the other direction...just a gut feeling...sort of a "do the harder but MORE right thing moment.


    “I’ll tell you a story of coffee, not wine. 
It was the seventies, two oil shocks and the whole Italian economy was badly tanned. My father, a few years ago in full control of illy caffè spa, was in financial difficulties as many other Italian companies, and so one day he found himself explaining to banks: 
”But Dr. Illy, the company restructured formula is easy: you buy the coffees of lesser quality and much less money and its financial statements will flourish. ” 
My father, said with his usual ethical position: “I made a promise of excellent quality to my customers and do not want to betray them to save a certain budget.” 
This decision was not the prelude to a tremendous success, but tiring years of difficulty. But that in turn was the preamble of the illycaffè I imagine you all know.
    I thank our father for having the courage then: we might be more in roasting coffee, but certainly not how we are doing today in nearly 160 countries. Or maybe we would be gone … … to listen to the banks whose business is another! I am afraid there is – although not so specific in terms of quality, because nobody wants to make a Rosso di Montalcino less good – a very obvious similarity to another level: that of identity. 
We all know how difficult it is to work with Sangiovese. Just as the Nebbiolo of Barolo and Barbaresco. And we all know the story, like ours, almost twenty years ago, of the Piedmont Consortium. 
They made the right choice and they get excellent results: they opted for the protection of their identity. Of their terroir. The difficult but possible way of improving their tradition.
    Today we are in a situation similar to these two: both experiences tell us that those who have managed to defend its identity in the end he won. 
Because the consumer, including what is in ourselves, do not consume products with interchangeable pleasures for tastes that are undifferentiated. People consume stories of men of courage, territory, culture and passion. They search for features, specificity and personality. 
And who does not understand this … is designed to disperse his voice in a chorus of platitudes in which anyone can sing. 
Is this what we want? 
As we once lost our identity, to compete with this type of farming? And with that kind of laws on wine? 
Our identity is our first capital and it makes us different and gives us stories to tell different from anyone who does not have intensive viticulture. Think about it, before you throw away a worth that much. 
Thanks for letting me read and pardon the intrusion, but I love too much not to mention to Montalcino.
    Sincerely Azienda Agricola Podere Le Francesco Illy Ripi.



I would be interested in other's thoughts on this important issue, particularly opposing viewpoints. So please don't hesitate to share.


Have a great weekend, keep it natural, and keep it interesting,


Rand





September 01, 2011

Castello dei Rampolla 2007 Chianti Classico


Today we're tasting a Chianti Classico from one of Tuscany's great old family owned producers Castello dei Rampolla.  The estate near Panzano in the heart of Chianti Classico is run today by Luca and Maurizia di Napoli who are extremely committed to creating exceptional wines employing low yields and biodynamic methods.